22 Oct Αφήγημα και αφηγήσεις από τις εκδόσεις Αιγόκερως της Κυριακής Πετράκου
Mountraki...
22 Oct MELINA PAPAGEORGIOU’S THEATRE
Four different need and dependence stories. Six characters who are met or lost. Someone desperately looking for companionship, another for a second chance. One trusts a stranger with their life. Two others meet in a cold night on a bench and fight over a mattress....
22 Oct WHICH COUNTRY DO WE WANT ?
A statement like “I want a country” is quite ambiguous: any reference or connotation it may imply for the desired country can relate either to the country one lives in or to the country one wants to move to. In other words, the subtext for...
22 Oct Glikeria Basdeki’s Theatre
Translation: Vasiliki Misiou I scribble down my own, hasty notes in the margin of the curriculum vitae of Glikeria Basdeki: She was born in the countryside./She still lives there./She is a philologist and teaches in a Junior High School in Xanthi./She writes poetry./She often thinks of Volos./She...
22 Oct Βασίλης Ζιώγας, μύστης με σκοτεινό χαμόγελο
Dousos...
22 Oct CONSTANTINE CONSTANTOPOULOS’ THEATRE
Translation: Elena Delliou “The Screaming Silence of No’s Knife in Yes’s Wound” Samuel Beckett Several years ago, at a moonlit roof balcony in Aristippou street, Constantine Constantopoulos, committed to writing a dramatic trilogy with the family unit at its core. The promise has been fulfilled: Play 1: In...
22 Oct Dramaturgy in Cyprus after Independence
[Translation: Vasiliki Misiou] The present text aims at tracing Cypriot dramaturgy back, from the 1960s onwards; it draws the outline, presents the basic trends and refers to the most important representatives of the corpus of plays which has been greater than one can imagine. Allow me...
22 Oct MINAS VINTIADIS S THEATRE
Body narratives – Identity memories Minas Vintiadis (Port Said, 1957) known for his distinct style of writing, prose writer (What I Told Claudia, 1996; The Three Marias, 1996; God’s Right Foot, 2003, etc.) enters the field of dramaturgy with a realistic style of writing, rammed by...
22 Oct EVDOKIMOS TSOLAKIDIS’ THEATRE
[Translation Elena Delliou] Actor, director, acting teacher with many years of experience and creator of the Theater of Changes, the versatile Evdokimos Tsolakidis emerged in Greek dramaturgy with two imaginative plays. Athens-Moscow (2001) could be the modern sequel of Three Sisters, where Tsolakidis explores the complex...
22 Oct ROULA GEORGAKOPOULOU’S THEATRE
Roula Faneromeni or –This is who’s afraid of Virginia Woolf...