22 Oct ELENI GASSOUKA’S THEATRE
Translation: Elena Deliou A...
22 Oct YIORGOS MANIOTIS’S THEATRE
Translation: Despina Tosounidou Yiorgos Maniotis’s dramaturgy is always ruminative and skeptical about man’s place in the modern world and the existential problems he faces. Through his work (theatrical and literary) the author has intensively dealt with the social structures that trap human existence in “common sense”,...
22 Oct ANDREAS KOUKIDIS’ THEATRE
Andreas Koukidis or Theatre as an Awareness of the Motherland Translation: Elina Palaska In the memory of Thanos Petemeridis It is indeed daring to talk about a living creator, whose work is still in progress and he himself is living the historical times of his place in all...
22 Oct Speed Date by Yiorgos Iliopoulos
Ziropoulou...
22 Oct CHARALAMPOS GIANNOU’S THEATRE
Nuclear Families and Psychoanalytic Motifs in Charalambos Giannou’s Dramaturgy Translation: Elena Delliou Charalambos Giannou is not an author easily located on the map; born in Famagusta, he grew up in Limassol and studied in Nicosia and later in Athens, when he currently resides. He has taken part...
22 Oct MELINA PAPAGEORGIOU’S THEATRE
Four different need and dependence stories. Six characters who are met or lost. Someone desperately looking for companionship, another for a second chance. One trusts a stranger with their life. Two others meet in a cold night on a bench and fight over a mattress....
22 Oct Glikeria Basdeki’s Theatre
Translation: Vasiliki Misiou I scribble down my own, hasty notes in the margin of the curriculum vitae of Glikeria Basdeki: She was born in the countryside./She still lives there./She is a philologist and teaches in a Junior High School in Xanthi./She writes poetry./She often thinks of Volos./She...
22 Oct CONSTANTINE CONSTANTOPOULOS’ THEATRE
Translation: Elena Delliou “The Screaming Silence of No’s Knife in Yes’s Wound” Samuel Beckett Several years ago, at a moonlit roof balcony in Aristippou street, Constantine Constantopoulos, committed to writing a dramatic trilogy with the family unit at its core. The promise has been fulfilled: Play 1: In...