Amaranta, 2016

2 male - 2 female

Glikeria Basdeki

In Amaranta we follow a theatre company of dead and living entities in their last performance: Memos, Stamos, Meropi and Antona, the dead artist, before their fall.

Using all those fundamental components that compose the theatrical universe of Pavlos Matesis and Glikeria Basdeki, bijoux de kant attempts the creation of our national portrait: ridiculous, deeply mournful, dead and hungry impoverished-devils for years that try to reenact the wreckages of themselves.


Glikeria Basdeki’s Theatre

Translation: Vasiliki Misiou

I scribble down my own, hasty notes in the margin of the curriculum vitae of Glikeria Basdeki: