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An interview with Fadi Skeiker
The play I want a country is one of the most frequently performed Greek plays in recent years abroad. How did you discover it? I want a country was recommended to me by the dean of the college of theatre at The University of the Arts in Philadelphia; her name is Kym Moore. Kym asked me to read the play and if I would be interested in directing it. I read the play in one hour and I knew I wanted to direct it. The play was very appealing for me because it does not have character assignments, and I felt that the play is giving the director agency to be creative in their artistic choices. ... |
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H Ειρήνη Αναγνωστοπούλου και ο Ελέφαντας στο Δωμάτιο
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Αργύρης Φασούλας: Μια συνάντηση για την ΠΟΜΟΝΑ
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Μια συνάντηση με τον Μάνο Καρατζογιάννη σε ένα Λευκό Δωμάτιο
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Μια συνάντηση με τον Δημήτρη Αλεξίου με αφορμή το Κουδούνι
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Μια συνάντηση με τους Hippo Theatre Group: Φώτης Δούσης - Αλέξανδρος Ράπτης
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Μια συνάντηση με την Κίττυ Παϊταζόγλου με αφορμή την Μ.Α.Ι.Ρ.Ο.Υ.Λ.Α.
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Μια συνάντηση με τον Στέφανο Παπατρέχα με αφορμή το Ονόριο
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ΝΑ ΤΑ ΠΟΥΜΕ; με την Τζωρτζίνα Κακουδάκη. ΘΕΑΤΡΟ ΓΙΑ ΠΑΙΔΙΑ ΚΑΙ ΕΦΗΒΟΥΣ: ΣΥΝΑΝΤΗΣΕΙΣ.
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ΝΑ ΤΑ ΠΟΥΜΕ; Mε τις Μαρία και Σπυριδούλα Παπαγεωργίου. ΘΕΑΤΡΟ ΓΙΑ ΠΑΙΔΙΑ: ΣΥΝΑΝΤΗΣΕΙΣ.
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ΝΑ ΤΑ ΠΟΥΜΕ; με την Σοφία Βγενοπούλου. ΘΕΑΤΡΟ ΓΙΑ ΠΑΙΔΙΑ: ΣΥΝΑΝΤΗΣΕΙΣ
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Αν αργήσω κοιμήσου. Μια συνάντηση με τους συντελεστές!
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Raw από την ομάδα Wings στο Off Off Festival στις 23 Ιουνίου στις 20.15
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Το ημερολόγιο ενός αποτυχημένου συγγραφέα στο Off Off Festival | 18-19.06
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Α-πορεία για μία Λίμνη στο Off Off Athens Festival στις 15 & 16 Ιουνίου
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Γνωριζόμαστε; απο την ομάδα SAB-Cult στο Off-Off Festival | 28-29.05.2019
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OFF-OFF ATHENS no 11 με τον Γιώργο Χατζηνικολάου
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Μια συνάντηση με την Μαρία Χατζηεμμανουήλ. Το ελληνικό έργο στην Ισπανία.
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Album: Andreas Flourakis
Θυμάστε την πρώτη φορά που πήγατε θέατρο; Ποια παράστασή ήταν; Ή ποια ήταν η πρώτη παράσταση που θυμάστε; Δεν θυμάμαι ποια ήταν η πρώτη φορά που πήγα θέατρο, αλλά θυμάμαι τους Όρνιθες στη σκηνοθεσία του Κουν. Πότε κατάλαβατε ότι θέλετε να γράψετε θέατρο; Όσο έγραφα το πρώτο μου έργο. Το ξεκίνησα το 1998 αλλά το τέλειωσα δύο χρόνια μετά. ... |
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Μια συνάντηση με τους Ελένη Στεργίου και Κωνσταντίνο Μάρκελλο
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An interview with Venia Stamatiadi and Maria Houhou
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Μια συνάντηση με την Νίνα Σκριβάνου και τον Γιώργο Δούλο
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An interview with Prodromos Tsinikoris
A discussion with Prodromos Tsinikoris, director and co-director of the National Theatre’s Experimental Stage, on the goals and the program of the Experimental Stage, as well as the modern Greek theatre and the documentary theatre. His knowledge on what is happening in the theatre world in Greece and in Europe is unique, and so is his ability to have each of his argument connecting with and taking the stage as a point of reference, while a constant movement from the practical to the theoretical discussion with texts and references is taking place. ... |
Μια συνάντηση με την Λεία Βιτάλη (με αφορμή τον Ένατο Γάμο της στο Αγγέλων Βήμα)
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CONSTELLATION: December - Eleni Varopoulou
Translation: Vasiliki Gkekina Theatre helped me understand better the “pain of things and people” and doubt one’s quick and arbitrary judgment. Eleni Varopoulou is a dramaturg, theatre and art critic, translator, essayist. Dedicated to art her whole life. I have followed and read her for many years. I am glad that such a lively and kind person will no doubt continue to draw my attention for many years to come. Her photo could easily adorn a dictionary, after the entry: “man of theatre”. ... |
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CONSTELLATION: November - Eleni Karaindrou
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CONSTELLATION: September - Giorgos Kimoulis
George Kimoulis: Acting is not a product of hypocrisy Translation: Nikos Stamatoulakis For the first “Constellations” interview we chose George Kimoulis, who was born in September. George Kimoulis is brilliant, always active, servant and master of the art of theatre, eloquent, sharp and profound in substance. He has a way of placing his audience –from a distance– in its place with wide-open eyes, ears, mind and heart. And all that so you can understand that theatre is a study. This is also what he does in person. In every interview, in every conversation. He puts you in your place. He makes you think. We met on a Friday evening. Right outside his house. ... |
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An interview with Eugenio Barba
Eugenio Barba is a living myth and needs no introduction. We have the honor to welcome him, here in Greece in a few days. He is going to direct a Masterclass with his collaborator Julia Varley on Saturday, 28 of August at Heraclion, Crete invited by Antonis Diamantis and Studio Omma. From Festuge to Caravan Project: Do you think it is possible to reactivate citizens of trembling Europe through theatre and art? What is the need that inspired your Caravan Project? The Festuge is a celebration in our small Danish town Holstebro of its many forms of “subculture”: schools, sport clubs, the military, different churches, ethnical minorities homosexual organisations, etc. ... |
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Rodrigo Garcia. Στον απόηχο του 4 μια συνέντευξη από το παρελθόν
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An interview with Leia Vitali
by Christos Karanatsis What if we are all immigrants, possible perpetrators and victims of fear and violence up until somebody shows us love? That was the thought that was spinning in my head just after I met and spoke to playwright Lia Vitali. Mrs. Vitali’s new work entitled Night at the Freeway is on every Monday and Tuesday until March 17 at the Aggelon Vima theatre venue and it was the main reason for this interview during which Mrs. Vitali spoke, among other things, about an idea of hers that was conceptualized this year, the challenges playwrights face and the characteristics of modern Greek theatre plays. ... |
An interview with Io Voulgaraki
by Christos Karanatsis Io Voulgaraki is one of the most interesting people of the contemporary Greek theatre world. “Why is that?” you may wonder. A logical question. If you take her prestigious theatre studies in Greece and Russia aside, information which you can find by typing her name and the word CV in a search engine, Io has the qualities of a calm, coherent, serious and truly low-key person. Before you read the answers to the questions I sent her, which between the lines justify my description of her, let me share with you a moment that I carry with me since last summer. A moment she will also find out about by reading the next few lines with you. ... |
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An interview with Konstantinos Konstantopoulos
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An interview with Katerina Angelidaki
Α discussion on the playwriting studio organized by the National Theatre of Greece. A new initiative for the support of Greek dramaturgy will become available in a few days by the National Theatre of Greece, headed by journalist Katerina Angelidaki. It is a playwriting workshop coordinated by the author and theatre film critic Iraklis Logothetis. The workshop is another step towards ensuring the development of Greek dramaturgy and the emergence of a generation of young playwrights, with the aid and guidance of established playwrights and various people involved with theatre. ... |
An interview with Giorgos Lyras
[Translation: Katerina Gournaropoulou] 120 years after its writing in 1894, the play Vourkolakas, will be performed in Greece for the first time, under the direction of Giorgos Lyras. Vourkolakas is the only play ever written by poet and novelist Argyris Eftaliotis. It is a theatrical text, whose theme was mainly inspired by folk legends and is, on a great extent, based on the Greek folk song The song of the dead brother. Eftaliotis’ name is strongly associated with the battle of Greek intellectuals who were in favor of the domination of Demotiki. ... |
An interview with Nadia Foskolou
[Translation: Vasiliki Misiou] On account of the play “Address Unknown” staged at the TV Control Center, the director of the performance, Nadia Foskolou, gives an interview to The Greek Play Project discussing the issue of responsibility in times of crisis. The novel “Address Unknown”, written by the American author Kathrine Kressmann Taylor, was published in the United States in 1938, just before the outbreak of World War II. More than 50.000 copies of the book were sold in the USA, whereas in Germany it was banned. ... |
A discussion with Dimitra Kondylaki
[Translation: Vasiliki Misiou] “Modern Greek texts have to distance themselves from ethography and focus on subjects and forms that touch on current international inquiries.” Dimitra Kondylaki talks with love about Greek texts, while thinking at the same time of the events taking place abroad. The discussion with the theatrologist and translator turned out to be a fascinating wander through the history of modern Greek dramaturgy. ... |
An interview with Tatou Dede
I believe in a better future and I’m willing to fight for it. Angeliki Dede (AKA Tatou) is a young actress, dancer and musician whose artistic active print is closely intertwined with what constitutes “Greekness” and the issue of Greek identity within a landscape that is constantly reshaping. The Return of Iphigenia by Yannis Ritsos directed by the experienced Manolis Iwnas is a play in which Tatou stars and will travel to New York to represent Greece in the United Solo Theatre Festival ,the largest solo theatre festival in the world. ... |
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A discussion with Despina Panagiotopoulou
What is Myth? What does it carry? Will hours of conversation at Protogenous street with director Despina Panagiotopoulou result in finding the answers? The exploration begins not as it is normally expected. She asks me to talk to her about myself. My “now” moments in Athens, my actions, my re-actions. She offers her “other” comment on this disaffiliation, which I conveniently build in my head, several minutes later, when we discuss the possibility that Anti-Oedipus may as well coexist with Oedipus instead of just schematically stand opposite him, but also the goal of her lifelong research on Myth. "Oedipus can become anti-Oedipus but also subjugate Anti-Oedipus. ... |
A discussion with Katia Arfara
In December 2010, the Onassis Cultural Centre in Athens opened its doors during a time of crisis and economic insecurity.Its main goal was the support of contemporary Greek culture without excluding anyone or staying within predefined creative borders. This point underlines an intention that Katia Arfara, artistic director of Theatre and Dance at the Onassis Cultural Centre, frequently underlined during our conversation about the work of the Centre in its almost four years of life, but also about the current state of the Greek theatrical stage and Greek playwriting. Her tone of voice is pure at heart. Her words are carefully chosen. ... |
A conversation with Aktina Stathaki
The Mediterranean Sea. Around its waters, some of the most historically important civilizations of the world have developed. It’s 2014 and this geographical area makes international news headlines for the socioeconomic developments and changes that are currently taking place in almost all of the countries surrounding the waters of the renowned sea. During the past four years just across the Atlantic Ocean, a Greek woman’s idea to create a platform which would introduce contemporary Mediterranean culture to the people of New York and the U.S., has become a promising and creatively evolving reality. ... |
A conversation with Anastasia Revi
A woman with a tone of voice that underlines both her creative passion and an inquisitive way of thinking, something that every artist owes to oneself. This is, in a few words, Anastasia Revi, the artistic director of the London-based Theatre Lab Company, a group of talented individuals that has been theatrically active since 1997 and has showcased its work in a respectable number of festivals around the world. Anastasia and I met through Skype. Her CV is full of many, quite familiar to a Greek, titles of work - Medea, Antigone, the Oresteia, Lysistrata- to mention just a few. ... |
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