{"id":4453,"date":"2024-10-20T15:03:54","date_gmt":"2024-10-20T15:03:54","guid":{"rendered":"https:\/\/greek-theatre.gr\/writer\/constantopoulos\/"},"modified":"2024-10-20T16:41:09","modified_gmt":"2024-10-20T16:41:09","slug":"constantopoulos","status":"publish","type":"writer","link":"https:\/\/greek-theatre.gr\/en\/writer\/constantopoulos\/","title":{"rendered":"Constantopoulos"},"content":{"rendered":"<p>Born in Athens, Constantine Constantopoulos graduated from the Drama School of the National Theatre of Greece in 1983. His studies include a philosophy degree from the University of Sofia, seminars on acting with Actor&#8217;s Studio professor J. Walter, dance lessons with Kay Holden, and voice lessons at the Athens Conservatoire\u2014with Iro Palli\u2014 and the National Conservatoire\u2014with Kate Papalexopoulou.<br \/>\nAs an actor, he starred in repertory theatre productions at the National Theatre, the National Theatre of Northern Greece, Epidaurus, the Odeon of Herodus Atticus, the Thessalian Theatre, and the Concert Hall\u2014among others\u2014and has worked under most of the Greek directors.<\/p>\n<p>As a director, he has directed the plays: <em>Dangerous Corner<\/em> (J. B. Priestley) &#8211; <em>Without Knowing How<\/em> (L. Pirandello) \u2013 <em>Steel Magnolias<\/em>\u00a0 (R. Harling) &#8211; <em>In Close Family Circle<\/em> (Y. Reza) \u2013 Women Hammam (N. Dan) &#8211; <em>Your Relationship is being &#8230;<\/em> <em>Diverted<\/em> (Z. Valvis) \u2013 <em>My Name is Sotiria <\/em>(S. Adamidou)<em> &#8211; Ritter, Dene, Voss <\/em>(musical-T. Bernhard)<em> &#8211; The Secret<\/em> <em>Loneliness of the Atreides<\/em> (<em>Orestis<\/em>&#8211;\u00a0 Iphigenia\u2019s Return, Y. Ritsos) \u2013 <em>The Stronger <\/em>(Au. Strindberg) &#8211; <em>Descent to Love<\/em> (three one-act plays: <em>This Property is Condemned \u2013 Hello from Bertha &#8211; The dark room <\/em>-T. Williams) &#8211; <em>The Prayers of the Enchanted<\/em> (musical) &#8211; <em>Aunt Vivi<\/em> (A. Papageorgiou) \u2013 <em>The Station<\/em> (A. Mpeis) \u2013 <em>Five Women Wearing the Same Dress<\/em> (A. Ball) &#8211; <em>Nouminia<\/em> (M. Moschovi) &#8211; <em>Faux-Forces<\/em> (A. Sandora) &#8211; <em>The Grand Inquisitor<\/em> (F. Dostoyevsky) &#8211; <em>Bus<\/em> <em>to<\/em> <em>Peloponnese <\/em>(D. Lentzos) &#8211; <em>With Murder and Passion<\/em> (M. Vassilopoulou &#8211; L. Pesketzi) &#8211; <em>Mother Sons<\/em> (two one-act plays: <em>The Fink<\/em>, Y. Skourtis &#8211; <em>Lithuania<\/em>, R. Brooke) &#8211; <em>Tales of Love and Hope<\/em> (L. Rikaki) &#8211; <em>The Color of Money<\/em>\u2014two one-act plays\u2014(<em>Le Testament<\/em>, Guy de Maupassant \u2013 <em>Hey, You Out There!,<\/em> O. Sarogian) &#8211; <em>I, Dear<\/em> <em>Doctor <\/em>(N. Anagnostou) &#8211; <em>The Century Cadet<\/em> (R. Karakatsanis) \u2013 <em>The Apology<\/em> (Plato) &#8211; <em>Three Tall Women <\/em>(Edward Albee).<\/p>\n<p>He has starred in the movies: <em>Beekeeper <\/em>(Th. Angelopoulos), <em>Quartet in 4 Movements<\/em> and <em>Character Agreement<\/em> (L. Rikaki), <em>Stop at the Red Light<\/em> (I. Mavraki,) and the TV series: Descent,\u00a0 Family, The Three Musketeers, Doctor Julia and Miss Chaido, Alice, Wedding Ring on the Right Hand.<\/p>\n<p>As director and production manager assistant he has collaborated with Stavros Xarchakos in the plays <em>Red lanterns<\/em> (1993), and <em>Amman-Amen<\/em> (1994).<\/p>\n<p>\n\u00a0He is a founding member of the theatrical group &#8220;Theatre Syn Kati [Theatre AND MORE] &#8211; total art&#8221;. He has been teaching acting since 1996.<\/p>\n<p>\n\u00a0<\/p>\n<hr \/>\n<p><strong>PLAYS<\/strong><\/p>\n<p><em>MandyMEDEA<\/em>, 2017<\/p>\n<p><em>The Spirit in Spirit<\/em>, 2012<\/p>\n<p><em>Of the Son and the Saint<\/em>, 2011<\/p>\n<p><em>In the Name of the Mother and the Son<\/em>, 2010<\/p>\n<form>\u00a0<\/form>\n<p>\u00a0<\/p>\n<form>\u00a0<\/form>\n<\/p>\n<p>\u00a0<\/p>\n<p>58342bdbcbbedk3.jpg<\/p>\n<p>Born in Athens, Constantine Constantopoulos graduated from the Drama School of the National Theatre of Greece in 1983. His studies include a philosophy degree from the University of Sofia, seminars on acting with Actor&#8217;s Studio professor J. Walter, dance lessons with Kay Holden, and voice lessons at the Athens Conservatoire\u2014with Iro Palli\u2014 and the National Conservatoire\u2014with Kate Papalexopoulou.<br \/>\nAs an actor, he starred in repertory theatre productions at the National Theatre, the National Theatre of Northern Greece, Epidaurus, the Odeon of Herodus Atticus, the Thessalian Theatre, and the Concert Hall\u2014among others\u2014and has worked under most of the Greek directors.<\/p>\n<p>As a director, he has directed the plays: <em>Dangerous Corner<\/em> (J. B. Priestley) &#8211; <em>Without Knowing How<\/em> (L. Pirandello) \u2013 <em>Steel Magnolias<\/em>\u00a0 (R. Harling) &#8211; <em>In Close Family Circle<\/em> (Y. Reza) \u2013 Women Hammam (N. Dan) &#8211; <em>Your Relationship is being &#8230;<\/em> <em>Diverted<\/em> (Z. Valvis) \u2013 <em>My Name is Sotiria <\/em>(S. Adamidou)<em> &#8211; Ritter, Dene, Voss <\/em>(musical-T. Bernhard)<em> &#8211; The Secret<\/em> <em>Loneliness of the Atreides<\/em> (<em>Orestis<\/em>&#8211;\u00a0 Iphigenia\u2019s Return, Y. Ritsos) \u2013 <em>The Stronger <\/em>(Au. Strindberg) &#8211; <em>Descent to Love<\/em> (three one-act plays: <em>This Property is Condemned \u2013 Hello from Bertha &#8211; The dark room <\/em>-T. Williams) &#8211; <em>The Prayers of the Enchanted<\/em> (musical) &#8211; <em>Aunt Vivi<\/em> (A. Papageorgiou) \u2013 <em>The Station<\/em> (A. Mpeis) \u2013 <em>Five Women Wearing the Same Dress<\/em> (A. Ball) &#8211; <em>Nouminia<\/em> (M. Moschovi) &#8211; <em>Faux-Forces<\/em> (A. Sandora) &#8211; <em>The Grand Inquisitor<\/em> (F. Dostoyevsky) &#8211; <em>Bus<\/em> <em>to<\/em> <em>Peloponnese <\/em>(D. Lentzos) &#8211; <em>With Murder and Passion<\/em> (M. Vassilopoulou &#8211; L. Pesketzi) &#8211; <em>Mother Sons<\/em> (two one-act plays: <em>The Fink<\/em>, Y. Skourtis &#8211; <em>Lithuania<\/em>, R. Brooke) &#8211; <em>Tales of Love and Hope<\/em> (L. Rikaki) &#8211; <em>The Color of Money<\/em>\u2014two one-act plays\u2014(<em>Le Testament<\/em>, Guy de Maupassant \u2013 <em>Hey, You Out There!,<\/em> O. Sarogian) &#8211; <em>I, Dear<\/em> <em>Doctor <\/em>(N. Anagnostou) &#8211; <em>The Century Cadet<\/em> (R. Karakatsanis) \u2013 <em>The Apology<\/em> (Plato) &#8211; <em>Three Tall Women <\/em>(Edward Albee).<\/p>\n<p>He has starred in the movies: <em>Beekeeper <\/em>(Th. Angelopoulos), <em>Quartet in 4 Movements<\/em> and <em>Character Agreement<\/em> (L. Rikaki), <em>Stop at the Red Light<\/em> (I. Mavraki,) and the TV series: Descent,\u00a0 Family, The Three Musketeers, Doctor Julia and Miss Chaido, Alice, Wedding Ring on the Right Hand.<\/p>\n<p>As director and production manager assistant he has collaborated with Stavros Xarchakos in the plays <em>Red lanterns<\/em> (1993), and <em>Amman-Amen<\/em> (1994).<\/p>\n<p>\n\u00a0He is a founding member of the theatrical group &#8220;Theatre Syn Kati [Theatre AND MORE] &#8211; total art&#8221;. He has been teaching acting since 1996.<\/p>\n<p>\n\u00a0<\/p>\n<hr \/>\n<p><strong>PLAYS<\/strong><\/p>\n<p><em>MandyMEDEA<\/em>, 2017<\/p>\n<p><em>The Spirit in Spirit<\/em>, 2012<\/p>\n<p><em>Of the Son and the Saint<\/em>, 2011<\/p>\n<p><em>In the Name of the Mother and the Son<\/em>, 2010<\/p>\n<form>\u00a0<\/form>\n<p>\u00a0<\/p>\n<form>\u00a0<\/form>\n<\/p>\n<p>\u00a0<\/p>\n<p>Born in Athens, Constantine Constantopoulos graduated from the Drama School of the National Theatre of Greece in 1983. His studies include a philosophy degree from the University of Sofia, seminars on acting with Actor&#8217;s Studio professor J. Walter, dance lessons with Kay Holden, and voice lessons at the Athens Conservatoire\u2014with Iro Palli\u2014 and the National Conservatoire\u2014with Kate Papalexopoulou.<br \/>\nAs an actor, he starred in repertory theatre productions at the National Theatre, the National Theatre of Northern Greece, Epidaurus, the Odeon of Herodus Atticus, the Thessalian Theatre, and the Concert Hall\u2014among others\u2014and has worked under most of the Greek directors.<\/p>\n<p>As a director, he has directed the plays: <em>Dangerous Corner<\/em> (J. B. Priestley) &#8211; <em>Without Knowing How<\/em> (L. Pirandello) \u2013 <em>Steel Magnolias<\/em>\u00a0 (R. Harling) &#8211; <em>In Close Family Circle<\/em> (Y. Reza) \u2013 Women Hammam (N. Dan) &#8211; <em>Your Relationship is being &#8230;<\/em> <em>Diverted<\/em> (Z. Valvis) \u2013 <em>My Name is Sotiria <\/em>(S. Adamidou)<em> &#8211; Ritter, Dene, Voss <\/em>(musical-T. Bernhard)<em> &#8211; The Secret<\/em> <em>Loneliness of the Atreides<\/em> (<em>Orestis<\/em>&#8211;\u00a0 Iphigenia\u2019s Return, Y. Ritsos) \u2013 <em>The Stronger <\/em>(Au. Strindberg) &#8211; <em>Descent to Love<\/em> (three one-act plays: <em>This Property is Condemned \u2013 Hello from Bertha &#8211; The dark room <\/em>-T. Williams) &#8211; <em>The Prayers of the Enchanted<\/em> (musical) &#8211; <em>Aunt Vivi<\/em> (A. Papageorgiou) \u2013 <em>The Station<\/em> (A. Mpeis) \u2013 <em>Five Women Wearing the Same Dress<\/em> (A. Ball) &#8211; <em>Nouminia<\/em> (M. Moschovi) &#8211; <em>Faux-Forces<\/em> (A. Sandora) &#8211; <em>The Grand Inquisitor<\/em> (F. Dostoyevsky) &#8211; <em>Bus<\/em> <em>to<\/em> <em>Peloponnese <\/em>(D. Lentzos) &#8211; <em>With Murder and Passion<\/em> (M. Vassilopoulou &#8211; L. Pesketzi) &#8211; <em>Mother Sons<\/em> (two one-act plays: <em>The Fink<\/em>, Y. Skourtis &#8211; <em>Lithuania<\/em>, R. Brooke) &#8211; <em>Tales of Love and Hope<\/em> (L. Rikaki) &#8211; <em>The Color of Money<\/em>\u2014two one-act plays\u2014(<em>Le Testament<\/em>, Guy de Maupassant \u2013 <em>Hey, You Out There!,<\/em> O. Sarogian) &#8211; <em>I, Dear<\/em> <em>Doctor <\/em>(N. Anagnostou) &#8211; <em>The Century Cadet<\/em> (R. Karakatsanis) \u2013 <em>The Apology<\/em> (Plato) &#8211; <em>Three Tall Women <\/em>(Edward Albee).<\/p>\n<p>He has starred in the movies: <em>Beekeeper <\/em>(Th. Angelopoulos), <em>Quartet in 4 Movements<\/em> and <em>Character Agreement<\/em> (L. Rikaki), <em>Stop at the Red Light<\/em> (I. Mavraki,) and the TV series: Descent,\u00a0 Family, The Three Musketeers, Doctor Julia and Miss Chaido, Alice, Wedding Ring on the Right Hand.<\/p>\n<p>As director and production manager assistant he has collaborated with Stavros Xarchakos in the plays <em>Red lanterns<\/em> (1993), and <em>Amman-Amen<\/em> (1994).<\/p>\n<p>\n\u00a0He is a founding member of the theatrical group &#8220;Theatre Syn Kati [Theatre AND MORE] &#8211; total art&#8221;. He has been teaching acting since 1996.<\/p>\n<p>\n\u00a0<\/p>\n<hr \/>\n<p><strong>PLAYS<\/strong><\/p>\n<p><em>MandyMEDEA<\/em>, 2017<\/p>\n<p><em>The Spirit in Spirit<\/em>, 2012<\/p>\n<p><em>Of the Son and the Saint<\/em>, 2011<\/p>\n<p><em>In the Name of the Mother and the Son<\/em>, 2010<\/p>\n<form>\u00a0<\/form>\n<p>\u00a0<\/p>\n<form>\u00a0<\/form>\n<\/p>\n<p>\u00a0<\/p>\n","protected":false},"featured_media":2054,"template":"","class_list":["post-4453","writer","type-writer","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/writer\/4453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/writer"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/writer"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/writer\/4453\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media\/2054"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}