Andreas Staikos was born in Athens. He studied philology in Aristotle University of Thessaloniki and theatre in Conservatoire National d\u2019Art Dramatique in Paris.<\/p>\n
He has written and directed several works for the theatre: Dedalus<\/em>, Clytemnestra <\/em>(1974); 1843<\/em>, Ostrich Feathers<\/em> (1994).<\/p>\n He directs most of his plays in their first performance as a result of the special way he writes them: during the rehearsals with the actors\u2019 help. He has also written two prose works: Smutty Henrietta <\/em>(1978) and the Liaisons Culinaires<\/em> (1997), a novel translated in more that twenty languages and also adapted for the theatre.<\/p>\n He has also translated a great number of French authors of the 18th and 19th centuries, including Moli\u00e8re, Racine, Marivaux, Musset, Claudel, as well as Laclos’ Les Liaisons dangeureuses.<\/p>\n He has taught theatrical writing and theatrical translation in several university departments and in The European Center for the Translation of Literature and the Human Sciences.<\/p>\n PLAYS<\/strong><\/p>\n Napoleontia, 2007<\/p>\n Capnocrator, 2005<\/p>\n Akolastes Esperides, 2003<\/p>\n Curtain, 1999<\/p>\n Apple de Milo, 1996<\/p>\n Ostrich Feathers, 1994<\/p>\n Olympia’s Little Finger, 1992<\/p>\n 1843, 1990<\/p>\n Karakoroum, 1989<\/p>\n Clytemnestra?, 1974<\/p>\n Daedalus, 1971<\/p>\n \u00a0<\/p>\n staikos.jpg<\/p>\n Andreas Staikos was born in Athens. He studied philology in Aristotle University of Thessaloniki and theatre in Conservatoire National d\u2019Art Dramatique in Paris.<\/p>\n He has written and directed several works for the theatre: Dedalus<\/em>, Clytemnestra <\/em>(1974); 1843<\/em>, Ostrich Feathers<\/em> (1994).<\/p>\n He directs most of his plays in their first performance as a result of the special way he writes them: during the rehearsals with the actors\u2019 help. He has also written two prose works: Smutty Henrietta <\/em>(1978) and the Liaisons Culinaires<\/em> (1997), a novel translated in more that twenty languages and also adapted for the theatre.<\/p>\n He has also translated a great number of French authors of the 18th and 19th centuries, including Moli\u00e8re, Racine, Marivaux, Musset, Claudel, as well as Laclos’ Les Liaisons dangeureuses.<\/p>\n He has taught theatrical writing and theatrical translation in several university departments and in The European Center for the Translation of Literature and the Human Sciences.<\/p>\n PLAYS<\/strong><\/p>\n Napoleontia, 2007<\/p>\n Capnocrator, 2005<\/p>\n Akolastes Esperides, 2003<\/p>\n Curtain, 1999<\/p>\n Apple de Milo, 1996<\/p>\n Ostrich Feathers, 1994<\/p>\n Olympia’s Little Finger, 1992<\/p>\n 1843, 1990<\/p>\n Karakoroum, 1989<\/p>\n Clytemnestra?, 1974<\/p>\n Daedalus, 1971<\/p>\n \u00a0<\/p>\n Andreas Staikos was born in Athens. He studied philology in Aristotle University of Thessaloniki and theatre in Conservatoire National d\u2019Art Dramatique in Paris.<\/p>\n He has written and directed several works for the theatre: Dedalus<\/em>, Clytemnestra <\/em>(1974); 1843<\/em>, Ostrich Feathers<\/em> (1994).<\/p>\n He directs most of his plays in their first performance as a result of the special way he writes them: during the rehearsals with the actors\u2019 help. He has also written two prose works: Smutty Henrietta <\/em>(1978) and the Liaisons Culinaires<\/em> (1997), a novel translated in more that twenty languages and also adapted for the theatre.<\/p>\n He has also translated a great number of French authors of the 18th and 19th centuries, including Moli\u00e8re, Racine, Marivaux, Musset, Claudel, as well as Laclos’ Les Liaisons dangeureuses.<\/p>\n He has taught theatrical writing and theatrical translation in several university departments and in The European Center for the Translation of Literature and the Human Sciences.<\/p>\n PLAYS<\/strong><\/p>\n Napoleontia, 2007<\/p>\n Capnocrator, 2005<\/p>\n Akolastes Esperides, 2003<\/p>\n Curtain, 1999<\/p>\n Apple de Milo, 1996<\/p>\n Ostrich Feathers, 1994<\/p>\n Olympia’s Little Finger, 1992<\/p>\n 1843, 1990<\/p>\n Karakoroum, 1989<\/p>\n Clytemnestra?, 1974<\/p>\n Daedalus, 1971<\/p>\n \u00a0<\/p>\n","protected":false},"featured_media":2032,"template":"","class_list":["post-4429","writer","type-writer","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/writer\/4429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/writer"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/writer"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/writer\/4429\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media\/2032"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}