\n| \n \u00a0<\/p>\n<\/td>\n | \n \u00a0<\/p>\n Wednesday, September, 18th 2019 <\/strong><\/p>\n\u00a0<\/p>\n Curated by the University of Bonn (Forum Internationale Wissenschaft)<\/h2>\n\u00a0<\/p>\n Grand Narratives and the Embodiment of the Public Sphere <\/em><\/strong><\/p>\n\u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n \u00a0<\/p>\n 15.<\/strong>0<\/strong>0 \u2013 1<\/strong>5<\/strong>.<\/strong>3<\/strong>0<\/strong><\/p>\n<\/td>\n| \n \u00a0<\/p>\n Subscriptions <\/strong><\/p>\n\u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n 15.30-15.45<\/strong><\/p>\n<\/td>\n| \n Opening Talk<\/strong><\/p>\n\u00a0<\/p>\n The Re-invention of the Myth: <\/em>\u0391<\/em>rc-Net\u2019s new project \u201cInterconnecting myths and performing cultures. A laboratory of new mythologies\u201d.\u00a0 <\/em><\/p>\nPlaton Mavromoustakos, Professor, University of Athens, Department of Theatre Studies<\/p>\n \u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n \u00a0<\/p>\n 15.45 -16.45<\/strong><\/p>\n<\/td>\n| \n \u00a0<\/p>\n 1st<\/sup> Panel: The Body and the Polis <\/strong><\/p>\n\u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n 15.45 \u201316.00<\/p>\n<\/td>\n | \n On Bodies, Things, and Acts of Democracy. The Materiality of Ancient Theatre<\/em><\/p>\nImpulse by Julia Stenzel, Professor, Professor of Religion and Society studies, University of Bonn \u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n 16.00-16.35<\/p>\n<\/td>\n | \n Negotiating Collectivity. Attempts on Gymnastics, ancient and modern<\/em><\/p>\nPresentation by Theatre Artist Oliver Zahn and Workshop Participants<\/p>\n<\/td>\n<\/tr>\n \n| \n 16.35 \u2013 16.50<\/p>\n<\/td>\n | \n\n The Art of Everyday Life <\/em><\/p><\/div>\nResponse by Rodanthi Sedouka, Conceptual artist & Designer, Creative Director & Partner of Red Design Consultants. Creator of the Emblem of Olympic Games, Athens 2004<\/p>\n<\/td>\n<\/tr>\n \n| \n 16.50 \u2013 17.00<\/p>\n<\/td>\n | \n Break <\/em><\/p>\n<\/td>\n<\/tr>\n\n| \n \u00a0<\/p>\n 17.00 \u2013 18.00 <\/strong><\/p>\n<\/td>\n\n\n \u00a0<\/p>\n 2nd<\/sup> Panel: Evolution and Progress: Utopias of Community and Society <\/strong><\/p>\n\u00a0<\/p><\/div>\n<\/td>\n<\/tr>\n \n| \n 17.00 \u2013 17.15<\/p>\n<\/td>\n | \n\n Entering the Polis. <\/em>Antique and Modern Political Spaces<\/em><\/p>\nImpulse by J\u00f6rn Etzold, <\/em>Professor at the Institute of Theatre Studies, University of Bochum<\/p><\/div>\n<\/td>\n<\/tr>\n\n| \n 17.15 \u2013 17.50<\/p>\n<\/td>\n | \n Leaving Home \u2013 Creating Homes. Timeless Drama in Athens<\/em><\/p>\nPresentation by Director and Performer Holle M\u00fcnster, the Theatre Director Sarantos Zervoulakos and Workshop Participants<\/p>\n<\/td>\n<\/tr>\n \n| \n 17.50 \u2013 18.05<\/p>\n<\/td>\n | \n\n Utopia Becoming Reality \u2013 The Case of Epidaurus Lyceum<\/em><\/p>\nResponse by Georgina Kakoudaki and Christos Karanatsis, Athens Greek Festival, Epidaurus Lyceum<\/p><\/div>\n<\/td>\n<\/tr>\n \n| \n 18.05 \u2013 18.15<\/p>\n<\/td>\n | \n\n Break<\/em><\/p><\/div>\n<\/td>\n<\/tr>\n\n| \n \u00a0<\/p>\n 18.15 \u2013 19.15<\/strong><\/p>\n<\/td>\n\n\n \u00a0<\/p>\n 3rd<\/sup> Panel: <\/strong>Spaces and Spheres of Democracy:<\/strong> Reading ancient drama through politically tinted spectacles<\/strong><\/p>\n\u00a0<\/p><\/div>\n<\/td>\n<\/tr>\n \n| \n 18.15 \u2013 18.30<\/p>\n \u00a0<\/p>\n<\/td>\n | \n\n The Double Presence of the Ruinous: Ancient Remains as Heritage and Failure<\/em><\/p>\nImpulse by Jonas Tinius, Anthropologist of art and Post-doctoral Research Fellow, Humboldt-Universit\u00e4t zu Berlin<\/p><\/div>\n<\/td>\n<\/tr>\n \n| \n 18.30 \u2013 19.05<\/p>\n<\/td>\n | \n The <\/em>Real Must be Fictionalized To BeTthought\u2026Layers of Space in Modern Athens<\/em><\/p>\nPresentation by Artists Ilan Bachl, AnnaM. Pasco Bolta and Workshop Participants<\/p>\n<\/td>\n<\/tr>\n \n| \n 19.05 \u2013 19.20<\/p>\n<\/td>\n | \n\n The Audience in Motion <\/em><\/p>\nResponse: Meti Panagiotopoulou, Choreographer-Researcher, Artistic Director of Kera One Stage\/Giortes Rokkas<\/p><\/div>\n<\/td>\n<\/tr>\n \n| \n 19.20 \u2013 19.30<\/p>\n<\/td>\n | \n\n Break<\/em><\/p><\/div>\n<\/td>\n<\/tr>\n\n| \n \u00a0<\/p>\n 19.30 \u2013 20.30<\/strong><\/p>\n<\/td>\n\n\n \u00a0<\/p>\n The Art of Dialogue: An Experimental Democratic Gameplay <\/strong><\/p>\nConceptualized & Animated by Elena Timplalexi, Laboratory Lecturing Staff member, NTLab,<\/em> Department of Communication & Media Studies, University of Athens.<\/p>\nSubject: The Limits of Presentation (laws, rules, responsibilities, rights)<\/p><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \n\n\n| \n Thursday, September, 19th 2019 <\/strong><\/p>\n\u00a0<\/p>\n Curated by Michael Cacoyannis Foundation <\/strong><\/p>\n\u00a0<\/p>\n The Political and the Ancient Drama as Theory\/Idea\/Project<\/em><\/strong><\/p>\n\n\n\n| \n \u00a0<\/p>\n 15.00-15.30<\/p>\n<\/td>\n | \n \u00a0\u00a0<\/p>\n Subscriptions<\/strong><\/p>\n\u00a0<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n \u00a0<\/p>\n 15.30-16.30<\/p>\n<\/td>\n | \n \u00a0<\/p>\n 1st<\/sup>\u00a0 Panel<\/strong><\/p>\nElitism, Popularism, Entitlement <\/em><\/strong><\/p>\n\u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n Chair\/Discussant<\/p>\n<\/td>\n | \n Evdokia Delipetrou, Researcher, PhD in Performing Arts, University of Athens<\/p>\n<\/td>\n<\/tr>\n | \n| \n 15.30-15.50<\/p>\n<\/td>\n | \n From Politics as Theater to Politics as Firework<\/em><\/p>\nGeorge Pleios, President of the Department of Communication & Mass Media-University of Athens<\/p>\n<\/td>\n<\/tr>\n \n| \n 15.50-16.10<\/p>\n<\/td>\n | \n Theatres of Demagoguery. Aristophanic Attempts on Politics, ancient and modern <\/em><\/p>\nJulia Stenzel, Professor of Religion and Society studies, University of Bonn<\/p>\n<\/td>\n<\/tr>\n \n| \n 16.10-16.30<\/p>\n<\/td>\n | \n Discussion<\/p>\n<\/td>\n<\/tr>\n | \n| \n 16.30-16.45<\/p>\n<\/td>\n | \n Break<\/em><\/p>\n<\/td>\n<\/tr>\n\n| \n \u00a0<\/p>\n 16.45 \u2013 17.45<\/p>\n<\/td>\n | \n \u00a0<\/p>\n 2nd<\/sup>\u00a0 Panel<\/strong><\/p>\n\u00a0The Political and the Theatre (VS\/+) <\/em><\/strong><\/p>\n\u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n Chair\/Discussant<\/p>\n<\/td>\n | \n Olympia Glykioti, Researcher, PhD in Performing Arts, University of Athens<\/p>\n<\/td>\n<\/tr>\n | \n| \n 16.45-17.05<\/p>\n<\/td>\n | \n Beyond the Age of the World Picture <\/em><\/p>\nSebastian Kirsch, Theatre scholar, affiliated as a Feodor Lynen research fellow to the Department of German Studies at New York University, USA<\/p>\n<\/td>\n<\/tr>\n \n| \n 17.05-17.25<\/p>\n<\/td>\n | \n Protest Choruses: Rethinking the Aestheticisation of the Political<\/em><\/p>\nStefan Donath, Dr.in Theatre Studies, Researcher, affiliated at \u00abInterweaving Performance Cultures\u00bb Institute, Freie University of Berlin<\/p>\n<\/td>\n<\/tr>\n \n| \n 17.25-17.45<\/p>\n<\/td>\n | \n Discussion<\/p>\n<\/td>\n<\/tr>\n | \n| \n 17.45-18.00<\/p>\n<\/td>\n | \n Break<\/em><\/p>\n<\/td>\n<\/tr>\n\n| \n \u00a0<\/p>\n 18.00-19.00<\/p>\n \u00a0<\/p>\n<\/td>\n | \n \u00a0<\/p>\n 3rd<\/sup> Panel<\/strong><\/p>\nThe Tragic and the Political<\/em><\/strong><\/p>\n\u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n 18.00-18.20<\/p>\n<\/td>\n | \n Tragedy, Democracy, and Monetised Individualism <\/em><\/p>\nRichard Seaford, Professor, University of\u00a0 Exeter<\/p>\n<\/td>\n<\/tr>\n \n| \n 18.20-18.40<\/p>\n<\/td>\n | \n The Ancient Theatre and the Social Negotiation <\/em><\/p>\nAlexandros Mistriotis, Artist<\/p>\n<\/td>\n<\/tr>\n \n| \n 18.40-19.00<\/p>\n<\/td>\n | \n Discussion<\/p>\n<\/td>\n<\/tr>\n | \n| \n 19.00-19.15<\/p>\n<\/td>\n | \n Break<\/em><\/p>\n<\/td>\n<\/tr>\n\n| \n \u00a0<\/p>\n 19.15 \u2013 20.30<\/p>\n<\/td>\n | \n \u00a0<\/p>\n 4th<\/sup> Panel<\/strong><\/p>\nThe Drama Festivals and the Cultural Policy <\/em><\/strong><\/p>\n\u00a0<\/p>\n<\/td>\n<\/tr>\n \n| \n Chair\/Discussant<\/p>\n<\/td>\n | \n Eleni Koutsilaiou, Researcher, PhD in Performing Arts<\/p>\n<\/td>\n<\/tr>\n | \n| \n 19.15-19.25<\/p>\n<\/td>\n | \n Ancient Drama, Post-Democracy and Cultural Policy<\/em><\/p>\nDimitris Yolassis, Administration & Program Consultant-Michael Cacoyannis Foundation<\/p>\n<\/td>\n<\/tr>\n \n| \n 19.25-19.35<\/p>\n<\/td>\n | \n Culturalising Democracy – Democratising Culture<\/em><\/p>\nPanayiotis Neufelt,Founder and Chairman, International Independent (consortium of organisations on cultural research, policy and economy) and Arts Council Greece<\/p>\n<\/td>\n<\/tr>\n \n| \n 19.35-19.45<\/p>\n<\/td>\n | \n Ancient Drama:\u00a0Teaching\u00a0the\u00a0participation in politics<\/em><\/p>\nDora Vyzovitou, Cultural Management, Media and Public Relations Consultant<\/p>\n<\/td>\n<\/tr>\n \n| \n 19.45 \u2013 19.55<\/p>\n<\/td>\n | \n On sponsorship<\/em><\/p>\nMinas Mavrikakis, Communication Expert, Communication Consultant and Chairman of the\u00a0Consulting\u00a0Committee on Artistic Fields at\u00a0 Michalis Cacoyannis Foundation, as well as Chief Strategy Officer of the Pitch Communications Agency<\/p>\n<\/td>\n<\/tr>\n \n| \n 19.55-20.30<\/p>\n<\/td>\n | \n Discussion<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \u00a0<\/p>\n","protected":false},"featured_media":0,"template":"","categories":[],"tags":[],"class_list":["post-10646","new","type-new","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/new\/10646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/new"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/new"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/new\/10646\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=10646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=10646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/tags?post=10646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |