{"id":4218,"date":"2024-10-20T15:09:38","date_gmt":"2024-10-20T15:09:38","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/prosperina\/"},"modified":"2024-10-22T11:26:43","modified_gmt":"2024-10-22T11:26:43","slug":"prosperina","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/prosperina\/","title":{"rendered":"Prosperina"},"content":{"rendered":"<p>How is a space inhabited? Is a painting just an object? Is the figure of the painting dead?<\/p>\n<p>A woman lives together with two paintings, Tsarouchis\u2019 \u201cSailor\u201d and Dante Gabriel Rossetti\u2019s \u201cProserpine\u201d. She lives with them; they keep her company.<\/p>\n<p>The paintings come to life. She talks with them. She looks at them, takes care of them, asks them questions and they answer back in first-person singular, they make remarks, educate her, comment on her writings.<\/p>\n<p>The Sailor, a national and erotic symbol, demands respect, while the Proserpine reverses all certainties, dictates a one-act play to the customer-narrator.<\/p>\n<p>\u201cYou write down whatever comes to your mind. You distort my words and you misspell\u201d Proserpine says to the Woman. Art as a subject and the man who imitates it&#8230; and not \u201cart imitating life\u201d, conversely. The paintings are in agony of their own existence but also of the woman\u2019s existence, in a surreal and absurd game.<\/p>\n<p>The Sailor will commit suicide later on.\u00a0<\/p>\n<p>Prosperina<\/p>\n<p>1 male &#8211; 2 female<\/p>\n","protected":false},"template":"","format":"standard","categories":[11,12],"class_list":["post-4218","article","type-article","status-publish","format-standard","hentry","category-essays","category-general-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4218\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=4218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}