{"id":4193,"date":"2024-10-20T15:09:30","date_gmt":"2024-10-20T15:09:30","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/stella-travel-the-recited-land\/"},"modified":"2024-10-22T11:26:34","modified_gmt":"2024-10-22T11:26:34","slug":"stella-travel-the-recited-land","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/stella-travel-the-recited-land\/","title":{"rendered":"STELLA Travel: \u201cThe Recited Land\u201d"},"content":{"rendered":"<p><em>Based on Michael Cacoyannis\u2019s film \u201cSTELLA\u201d.<\/em><\/p>\n<p>An ethographic thriller. A tragedy. The meager evidence of God\u2019s non-existence. A comment on beauty. A comment on sin. An erotic story. An endeavor to prove that the year 1955 has never existed. An intolerable nostalgia for the city of Volos. A journey. No journey. All of those and none of them.<\/p>\n<p>The play is based on the film <em>Stella<\/em> and aims at reestablishing in today\u2019s world the mythical character which identified with Melina Merkouri\u2019s acting. In the play <em>Stella Travel<\/em>, there are just three characters and the central heroine talks constantly about a journey. A journey that she doesn\u2019t know if she really wants to take.<\/p>\n<p>STELLA in the slaughterhouse recites her life on a bloody stage, trying to find her voice or what she thinks of as a voice. In \u201cthe recited land\u201d, everything is allowed. The characters, the time and the place are intertwined. The new Stella suffers. She suffers by an intolerable nostalgia, by both desire and loss, by a wound and a miracle.<\/p>\n<p>STELLA Travel: \u201cThe Recited Land\u201d<\/p>\n<p>3 male \u2013 2 female<\/p>\n","protected":false},"template":"","format":"standard","categories":[12],"class_list":["post-4193","article","type-article","status-publish","format-standard","hentry","category-general-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4193\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=4193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}