{"id":4155,"date":"2024-10-20T15:09:16","date_gmt":"2024-10-20T15:09:16","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/full-house-meze\/"},"modified":"2024-10-22T11:26:19","modified_gmt":"2024-10-22T11:26:19","slug":"full-house-meze","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/full-house-meze\/","title":{"rendered":"Full House Meze"},"content":{"rendered":"<p>\u00a0<\/p>\n<p>In this play we follow three friends, former classmates in Athens during the dictatorship, and the evolution of their relationship during a hearty lunch in a small tavern near the demarcation line in Nicosia.<\/p>\n<p>On their return from their studies, they jointly bought a field, with each one promising to later build a vacation home there. Now their emotional connection is exhausted in their student past, since everyone has carved his own way. Eftixios is a doctor, Spyros is a realtor, and Stelios is a clerk. The realtor has found a buyer prepared to spend a lot of money to buy the whole estate, and he wants to grab the opportunity. The clerk, however, refuses because he holds on to the dream of building a cottage in the remaining land that will be his, even if the rest of the property is occupied.<\/p>\n<p>The exquisite and excessive appetizers come round \u2013 a ritual of modern Cyprus \u2013 and discussions are held in parallel with the incessant drinking and eating. Their good time is interrupted by the gust of a machine gun: a Greek Cypriot soldier has been hit by the Turks.<\/p>\n<p>\u00a0<\/p>\n<p>Full House Meze<\/p>\n<p>3 males &#8211; 1 non-speaking part<\/p>\n","protected":false},"template":"","format":"standard","categories":[12],"class_list":["post-4155","article","type-article","status-publish","format-standard","hentry","category-general-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4155\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=4155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}