{"id":4130,"date":"2024-10-20T15:09:00","date_gmt":"2024-10-20T15:09:00","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/lacrimosa-or-the-unbecoming\/"},"modified":"2024-10-22T11:25:59","modified_gmt":"2024-10-22T11:25:59","slug":"lacrimosa-or-the-unbecoming","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/lacrimosa-or-the-unbecoming\/","title":{"rendered":"Lacrimosa or the unbecoming"},"content":{"rendered":"<p>Two 22-year-old twin siblings meet, 11 years after their parents\u2019 mysterious disappearance. Their goal is to reenact (playing the respective roles) a mystical ritual that, according to the boy (K) led to the parents\u2019 transition to another dimension. The girl (R), while questioning K\u2019s obsession, agrees to participate with the hope that the (certain according to her) failure of the reenactment will free her brother from the vicious circle of his obsession.<\/p>\n<p>However, when the time for the reenactment of that fateful evening of yore comes, the two &#8220;parents&#8221; have an idea: to consider their 11-year-old children who, eleven years later (in their 22) will be bolted into their parents\u2019 bedroom in an attempt to make sense out of their disappearance. A game with Russian dolls has launched \u2013 one that will very quickly subdue every fact and every truth.<\/p>\n<p>A story about the agonizing search of love in the family. Or a story about two people who impersonate (or revoke?) two other people, who will in turn play their <em>previous <\/em>selves, and then their <em>next <\/em>selves \u2013 and this will continue perpetually, like the now-old torture of the messengers that had no Kings to serve.<\/p>\n<p>\u00a0<\/p>\n<p>Lacrimosa or the unbecoming<\/p>\n<p>1 male &#8211; 1 female<\/p>\n","protected":false},"template":"","format":"standard","categories":[11,12],"class_list":["post-4130","article","type-article","status-publish","format-standard","hentry","category-essays","category-general-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4130\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=4130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}