{"id":4101,"date":"2024-10-20T15:08:53","date_gmt":"2024-10-20T15:08:53","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/the-king-stag\/"},"modified":"2024-10-22T11:25:41","modified_gmt":"2024-10-22T11:25:41","slug":"the-king-stag","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/the-king-stag\/","title":{"rendered":"The King Stag"},"content":{"rendered":"<p dir=\"ltr\"><span id=\"docs-internal-guid-2bcccce9-dff1-e05d-5ce3-3e8ea22fb40c\" style=\"line-height: 1.6em;\">Based on Carlo Gozzi\u2019s <\/span><span style=\"line-height: 1.6em;\"><em>Il Re Cervo<\/em>.<\/span><\/p>\n<p dir=\"ltr\"><span id=\"docs-internal-guid-2bcccce9-dff1-e05d-5ce3-3e8ea22fb40c\">Duradade the Great, a formidable wizard, entrusted King Deramo\u2019s father with two dreadful secrets. The good-hearted and gullible Deramo, having inherited only his crown and these two dreadful secrets that protect him, looks for a woman that will marry him because she really loves him. He sees a lot of candidates but it is the first secret that helps him finally choose the appropriate woman. But, the horrible Tartalia, his prime-minister, who wants to have his daughter married with King Deramo and he, himself, to get married with the woman Deramo loves, makes Deramo reveal him his second dreadful secret. During a magic night in the woods, Tartalia will implement a horrible plan and will take Deramo\u2019s place using that second secret. But in the end, Tartalia\u2019s plan will be unveiled and love will triumph!<\/span><\/p>\n<p dir=\"ltr\"><span>The play has been\u00a0written in collaboration with Thomas Moschopoulos.<\/span><\/p>\n<div>\u00a0<\/div>\n<p>The King Stag<\/p>\n<p>8 men &#8211; 3 women<\/p>\n","protected":false},"template":"","format":"standard","categories":[11,12],"class_list":["post-4101","article","type-article","status-publish","format-standard","hentry","category-essays","category-general-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4101\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=4101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}