{"id":4070,"date":"2024-10-20T15:08:39","date_gmt":"2024-10-20T15:08:39","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/feather-nothing\/"},"modified":"2024-10-22T11:25:11","modified_gmt":"2024-10-22T11:25:11","slug":"feather-nothing","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/feather-nothing\/","title":{"rendered":"Feather Nothing"},"content":{"rendered":"<p><span style=\"line-height: 1.6em;\">A love triangle, or a strange family (where the older woman is the father, the younger the mother, and the husband is the child), or a single narrator divided into three persons, strife around a table (which is, in the course of the play, also used as a bed and a wall). Images and memories of an endless family tension or an erotic anguish which slide into a linguistic reflexive, but also language\u2019s inability to accurately describe internal events.<\/span><\/p>\n<p>\u00a0<\/p>\n<p>Feather Nothing<\/p>\n<p>1 male &#8211; 2 female<\/p>\n","protected":false},"template":"","format":"standard","categories":[11,12],"class_list":["post-4070","article","type-article","status-publish","format-standard","hentry","category-essays","category-general-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4070\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=4070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}