{"id":4068,"date":"2024-10-20T15:08:39","date_gmt":"2024-10-20T15:08:39","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/danubes-trout\/"},"modified":"2024-10-22T11:25:10","modified_gmt":"2024-10-22T11:25:10","slug":"danubes-trout","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/danubes-trout\/","title":{"rendered":"Danube\u2019s Trout,"},"content":{"rendered":"<p><span style=\"line-height: 1.6em;\">Are we our name? Are we our dead? Can one move between flesh and memory? Can the <\/span><em style=\"line-height: 1.6em;\">ego<\/em><span style=\"line-height: 1.6em;\"> \u2013 that can suffer from either too much or from no self \u2013 tell a story?<\/span><\/p>\n<p>A writer in a feverish stillness moves (like another trout) against the flow of history, nostalgia, introspection and plot.<\/p>\n<p>Jewish memory and confession, singing and delirium, mourning and aphrodisiac anxiety.<\/p>\n<p>The play is based on <em>Aegypius Monachus<\/em> (2001, revised reissue: 2013).<\/p>\n<p>Danube\u2019s Trout,<\/p>\n<p>1 male<\/p>\n","protected":false},"template":"","format":"standard","categories":[11,12],"class_list":["post-4068","article","type-article","status-publish","format-standard","hentry","category-essays","category-general-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4068\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=4068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}