{"id":4067,"date":"2024-10-20T15:08:39","date_gmt":"2024-10-20T15:08:39","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/the-yellow-dog\/"},"modified":"2024-10-22T11:25:10","modified_gmt":"2024-10-22T11:25:10","slug":"the-yellow-dog","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/the-yellow-dog\/","title":{"rendered":"The Yellow Dog"},"content":{"rendered":"<p><span style=\"line-height: 1.6em;\">The attack with caustic acid against the unionist Konstantina Kuneva (December 2008) inspired the creation of Ruska Ruseva, her dramatic alter ego. A polyphonic raving in a station in Athens.<\/span><\/p>\n<p>The &#8220;former archaeologist, formerly married and sad woman; the \u2018red\u2019 cleaner against the \u2018black\u2019 bosses and supervisors\u201d as the heroine in <em>The Yellow Dog<\/em> introduces herself speaks neither Greek nor Bulgarian, but a language of grand gestures and utopian feelings; she pays attention to the silence of the little things.<\/p>\n<p>Ruska Ruseva is a perpetual crossroads of voices; she acts as a conduit of individual voices and discovers herself through the others, through the bustling crowd and history\u2019s relentless pace. She is a &#8220;face of public love&#8221; that directly addresses her personal and working time. Hence, the protagonist lays claims to a world of love, through both the <em>policy<\/em> of the defenseless self and the <em>metaphysics<\/em> of the non-further one.<\/p>\n<p>The yellow light \u2013 that occasionally falls on the stage and carves her narrative up \u2013 is the feeling of the surplus, the prolonged, the \u2018bombarded\u2019 person who eventually hurtles and surges to the stage flow, reflecting the dystopian reality around us.<\/p>\n<p>The Yellow Dog<\/p>\n<p>1 female<\/p>\n","protected":false},"template":"","format":"standard","categories":[11],"class_list":["post-4067","article","type-article","status-publish","format-standard","hentry","category-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/4067\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=4067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=4067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}