{"id":3847,"date":"2024-10-20T15:07:26","date_gmt":"2024-10-20T15:07:26","guid":{"rendered":"https:\/\/greek-theatre.gr\/article\/atreides-end\/"},"modified":"2026-06-07T22:39:17","modified_gmt":"2026-06-07T22:39:17","slug":"atreides-end","status":"publish","type":"article","link":"https:\/\/greek-theatre.gr\/en\/article\/atreides-end\/","title":{"rendered":"Atreides, End"},"content":{"rendered":"<p>The glorious days of a royal family end with its moral decline. When the parents \u2013 who set the boundaries \u2013 are not present, whatever \/ whoever lingered in the shadow comes to the fore: the children. After Agamemnon\u2019s and Clytemnestra\u2019s assassination, Argos is ruled by their offspring; Orestes, Iphigenia, Electra and Chrysothemis, together with their friend Pylades, aim strictly for satisfaction, destroying anyone who might cross their paths.<\/p>\n<p>Atreides, End<\/p>\n<p>3 male &#8211; 4 female and possible extras<\/p>\n","protected":false},"template":"","format":"standard","categories":[11,12],"class_list":["post-3847","article","type-article","status-publish","format-standard","hentry","category-essays","category-general-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/3847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":1,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/3847\/revisions"}],"predecessor-version":[{"id":15168,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/3847\/revisions\/15168"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=3847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=3847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}