Manos and Vaggelis are roommates.\u00a0 So are Kelly and Anna.\u00a0 They all live in the same block of flats but the boys and the girls have never met.\u00a0 One night, Manos and Kelly accidentally meet in the town\u2019s trendiest nightclub called \u201cPitch Dark\u201d where, as the name suggests, customers cannot see one other at all; instead, they can only talk and hear one another.\u00a0 The same night, there is a power cut in the block of flats.\u00a0 In the dark, Anna and Vaggelis also meet and fall in love.\u00a0 However, when the time comes for the couples to see each other in broad daylight, a series of misunderstandings takes place and each one meets the wrong \u2018other\u2019 half.\u00a0 Manos and Kelly, who believe that image is all too important, are disappointed by Anna\u2019s and Vaggelis\u2019 appearance respectively and stop any flirting game.\u00a0 Anna and Vaggelis are also disappointed by the behavior of the person standing before them which reminds nothing of the stranger the night before.\u00a0 Meanwhile, the block manager strives to hold a party for all residents of the block in a personal attempt to promote human contact and fight alienation and loneliness, but in vain.\u00a0 No one responds positively to his invitation, not even his own wife. Anna and Vaggelis give it another chance and arrange for a second meeting, which this time turns right and brings them together. That moment voices calling for help are heard as the block manager has just died.\u00a0 In the havoc that follows, Manos and Kelly meet one another again and the issue of their identity is cleared, but unlike Anna and Vaggelis, they are afraid to risk starting a relationship and resolve to stay alone.<\/p>\n
The play has been translated into English by Vassiliki Mitsiou<\/p>\n
\u00a0<\/p>\n
So, what?<\/p>\n
3 male \u2013 3 female<\/p>\n","protected":false},"template":"","format":"standard","categories":[11],"class_list":["post-3799","article","type-article","status-publish","format-standard","hentry","category-essays"],"_links":{"self":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/3799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article"}],"about":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/types\/article"}],"version-history":[{"count":0,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/article\/3799\/revisions"}],"wp:attachment":[{"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/media?parent=3799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greek-theatre.gr\/en\/wp-json\/wp\/v2\/categories?post=3799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}